This series results from Nelson’s experiments with historical mordançage techniques. The patterns resembling organic matter are the outcomes ofstrong chemical reactions orchestrated in the laboratory. When combined, the molecular structures of these varying substances are dismantled and rearranged to form patterns of undulating wave-like swirls. In digitally blowing up the traces of these analog procedures, Nelson directs our attention towards the life-like features of chemicals pointing to what the writer and biochemist Isaac Asimov refers to as possibility of other worldly “life-not-as-we-know-it.” As such, Experiment Excerpts bring to mind what the feminist philosopher Jane Bennett calls “vibrant matter,” the forces and flows of materialities that canbecome lively, signaling, and affective; a liveliness that is swerving, buzzing, and turbulent.